The roundelay consists of quaternary sestets (six-line stanzas) prefabricated up of dozen continuation couplets (two-line stanzas, digit of which repeats as apiece stanza's terminal digit lines. The stanzas' couplets A,B,C,D ,E and R (the continuing refrain) consortium in the mass pattern:
A B R ... B C R ... C D R ... D E R
So, in the ordinal stanza, "B C R" represents six-lines (three couplets), with couplet "B" continuation from the prototypal stanza, couplet "C" continuation in the mass stanza, and its terminal couplet "R" continuation as every stanza's terminal digit lines. In addition, apiece couplet's prototypal distinction rhymes with another couplets' prototypal lines and every ordinal lines fit with apiece another as well, making the fit scheme:
a-b-a-b-a-b ... a-b-a-b-a-b ... a-b-a-b-a-b ... a-b-a-b-a-b
Remember that in a rhyming pattern, lines success in a good designated by "a" exclusive fit with another "a" lines, "b" lines exclusive with another "b" lines, and so on.
Trochaic tetrameter (four feet of "DUM-dah" per line, wager "Meter") is a requirement, but it is tolerable for whatever of the lines to be digit syllable short.
Example:
Cannons Silent
British agitated ever shoreward,
ardent plans module presently be blooming.
Soldiers hunkered, never cowered,
even with the battles looming,
cannons silent, pointing eastward,
wait to move their long booming.
Soldiers hunkered, never cowered,
even with the battles looming,
captain's orders transfer on forward,
throes of hunger, ease consuming.
Cannons silent, pointing eastward,
wait to move their long booming.
!
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